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"Buffalo Altar;
A Texas Simphony" (2000)
(32:00)

Stephen
Harrigan:
Text
Barry Corbin:
Narrator


J.
Todd Frazier:
Conductor
The
Houston Ballet
Orchestra


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I been in the oil
business for fifty-eight years, and I ain't tired of it yet. Oil
could fall to a nickel a barrel, and I'd still be out there driving
the back roads, trying to talk some old rancher out of his mineral
rights. I guess, when you think about it, it's the driving I always
liked best. Godalmighty, Texas is a beautiful country to drive in!
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I got to
be careful about driving these days, though, cause I ain't exactly
legal no more. They wouldn't renew my license last time I went down
to the Department of Motor Vehicles. Said I was too old and too
blind. Said I could take the bus. Well I got news for them: I ain't
never taking no damn bus. |
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I seen
tornadoes and flash floods and ever other damn thing. I seen a man
get struck by lightning on the 8th hole at Lions Club Municipal Golf
Course in Sweetwater, dead as a biscuit and his clothes on fire too.
I was there in forty-eight when they opened up the Shamrock Hotel in
Houston. That was a party! I remember there was a riot out on the
streets that night--everybody was trying to get inside and see
Dorothy Lamour. It broke my heart when they tore that old hotel
down. What the hell are they going to tear down next? The Alamo? |
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But like
I said, I ain't complaining. I've had my share of fancy hotels and
wild parties and two-inch-thick ribeyes and cold Mexican beer. It's
the driving I can't give up: roaring down a Texas highway in a big
old Oldsmobile, with the windows open and the bugs splattering on
the windshield and me feeling as wild and free as a Comanche Indian.
I guess those were about the best days of my life, those
lease-buying trips when I was a young landman with a big car and an
expense account. |
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Or maybe
it wasn't. Maybe it's the same. Maybe all these cities and Taco
Bells and Dairy Queens and outlet malls don't have a thing in the
world to do with what Texas is. Texas is what connects me and that
prehistoric fella and that old rancher and that dead buffalo. It's
not just the place we live in, it's the place that lives in us--even
after we're dead and looking toward the sun with empty eyes. |
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In
Buffalo Altar, written for the Eastman School of Music in Rochester,
N.Y., Frazier set a fictional tale by Texas author Stephen Harrigan. The
oilman, now 81, reminisces about the time he leased land from an old
geezer who took him to see a prehistoric altar in a shallow cave lit
only at sunrise. Along the way, the narrator invokes a few Texas myths,
including the state's allegiance to the automobile. Through an authentic
accent and character, Texas actor Barry
Corbin, dressed in
tux, black Stetson and belt that screamed "cowboy," provided
the right verbal character and sounds of a Texan.
- Houston Chronicle
The John M. O'Quinn
Foundation
Cultural Preservation Project Of Texas

Music Of Jefferson Todd Frazier
Music: publishing
and © 2000, J. F. Brazos Enterprises, LTD
Text: © 2000, Stephen Harrigan
Phonodisc:
© 2000, Houston Ballet Foundation
Recording / Editing / Mastering by Andreas Klein: Ultimo Productions
Photography:
© 2000, Bill Wright
Distribution: American Festival For The Arts
AFATexas.net
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